![]() Garry Maloney, Kevin Morris, Tony Roberts, Roy Wainwright ![]() Track 10 recorded on 17th December 1997 at KSJO Studios in San Jose, The United Statesįree Speech for the Dumb (Discharge Cover).Tracks 1-9 and 11 recorded in September 1998 - October 1998 at The Plant Studios in Sausalito, The United States.29) - "Those who still relate to the adolescent angst of the 'Metallicas' earliest days will find plenty to like on Garage Inc." is an intermittently exhilarating joyride." - Rating: B. Still, all things considered, Garage Inc. 84) - "We'll have to wait until Metallica's next 'proper' album to find out if this trip to the garage recharges their batteries. 122) - 4 Stars (out of 5) -"Gloriously hard as the album is, you can't miss Metallica's good natured side coming through." Some recording artists included in uDiscover Music articles are affiliated with UMG. UDiscover Music is operated by Universal Music Group (UMG). 2 and was later certified quadruple-platinum, spawning four singles along the way.įor the latest music news and exclusive features, check out uDiscover Music. Though not designed to be a hit album, when it was released, on November 24, 1998, Garage Inc nevertheless debuted on the Billboard 200 at No. Budgie’s “Breadfan,” Queen’s most metal track, “Stone Cold Crazy,” and the snotty belligerence of Anti-Nowhere League’s “So What” also crop up, with the whole thing rounded out with a quadruple hit of Motörhead. ![]() Staying true to the loose and fun vibe, the latter features guests Gary Rossington (Skynyrd), Jerry Cantrell and Sean Kinney (Alice In Chains), John Popper (Blues Traveler), Les Claypool (Primus), Jim Martin (ex-Faith No More) and Pepper Keenan (Down, Corrosion Of Conformity) sharing vocal duties.ĭisc Two of Garage Inc was a compilation of the most coveted of Metallica releases, The $5.98 EP: Garage Days Re-Revisited, featuring longtime live favorite “Last Caress” (Misfits), and its predecessor, Garage Days Revisited, with covers of Diamond Head’s “Am I Evil?” and Blitzkreig’s self-titled track. All, however, are delivered with a strong Metallica vibe and James Hetfield’s distinct snarl. The raucous “Free Speech For The Dumb” (by UK crust punks Discharge) sets the tone, followed by “It’s Electric” from NWOBHM legends Diamond Head, to whom Metallica quite possibly owe their career for inspiring them to get started in the first place.įollowing up with an homage to the godfathers of metal, Black Sabbath, “Sabbra Cadabra,” and with the bulk of Disc One’s material representing their more familiar influences – “Die, Die My Darling” (Misfits), the titular “Mercyful Fate,” “The More I See” (Discharge again) – it’s reassuringly apparent that the band Metallica had grown into wasn’t a million miles from the teenagers who first got together in 1981.īut it’s Bob Seger’s country-rock paean to touring life, “Turn The Page,” Nick Cave’s “Loverman,” Blue Öyster Cult’s “Astronomy,” Thin Lizzy’s “Whiskey In The Jar” and Lynyrd Skynyrd’s “Tuesday’s Gone” that perhaps gives some perspective to the band’s frame of mind for Load and Reload. The result was a double-album of new covers, along with a clutch of hard-to-come-by B-sides and EP tracks, with Disc One representing the band Metallica had become, and Disc Two getting to the heart of the group. There was just a renewed interest in f_king with some other stuff.” Just shake that off a little bit and come back to something a little looser and a little kind of sillier. But we just did the two Load albums more or less back to back, so it just seemed like a good time to do some, from both a time point of view and a creative point of view. As Lars Ulrich explained to Metal Hammer, “We haven't really f_ked with cover songs for a while. “There was an interest in f_king with some other stuff”
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